Jonathan Swift: Misguided and Incorrect Criticisms Jonathan Swift (1667-1745) is quite possibly the greatest satirist in the history of English literature, and is without question the most controversial. Infuriated by the moral degradation of society in the eighteenth century, Swift wrote a plethora of bitter pieces attacking man’s excessive pride, and the critical reception has been one of very mixed reviews. While few question Swift’s skill as a satirist, his savage, merciless attacks on the foibles of mankind have led more than one critic to level negative accusations against him. His beliefs have led to allegations of heresy, an anti-government attitude and a devotion to freeing man’s right to passion. His most famous work, Gulliver’s Travels, has resulted in attacks on his writing style, and his cruel, invidious assaults on sin have led to cries of egotist, misanthrope and sadist. Every one of these accusations is false. Jonathan Swift’s critics are misguided and incorrect in their attacks on his beliefs and writings. Jonathan Swift is falsely accused of heresy for attacking human life. Swift infuriates some critics for criticizing something that they feel must be divine since it is the chief instrument of God. These critics argue that human nature must be dignified if it is the key theme of Christianity. They, however, are wrong, and are guilty of being naive. Swift and his supporters counter their attacks by pointing out that it is hypocritical of them to revere such vices as corruption, greed, and immortality, and these critics need to take a serious look at this (Knowles 34-35). Swift himself has answered these charges of heresy, explaining that he has never been anti-Christian and only disagrees with the concept of original sin. Throughout his life and in his writings, Jonathan Swift has always been a devout man of religion (Tuveson 103, 3). Critics falsely claim that Jonathan Swift sees God as much too great for human…

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